In Starring In Each Other’s Eyes you see Janet Bloom and her students evoking the inner motion pictures that move us. These dramatic images show us directly into the healing grounds of our imagination.
Becoming known scientifically as eidetics (eye-deht’-ics), these fascinating images are defined as ISMs: Images always involving Somatic (body) responses with Meaning. By letting us see the extent to which our bodies are continually mirroring the dramatic and transformational movies on our minds, eidetics let us see into ourselves and each other far more deeply, clearly and helpfully. This enables us to join in mutually illuminating communal interaction without losing our individuality to conformity.
In Video 1, We Become What We See, Janet Bloom shows how her body mirrors the actions in the scene she is seeing of herself as a child playing tug of war with her bulldog. She is dramatizing her personal experience of the new scientific understanding of eidetics that enables us to bring up revitalizing energies and joys from childhood, and realize dramatic strengths we did not know we have.
In Video 2, Finding The Father You Always Wanted, three eidetic imagers concentrate in concert on enacting positive father images, and outgrowing fixations on narrow negative views of themselves and their formative years. As they release and share new self-images in which they triumph over developmental difficulties, their fellow imagers are prompted to release their own triumphant images as well, experiencing a deepening sense of well being. The underlying positive nature and family images they are surfacing release gratifying progressions of new self-images that infuse them with new energies and attitudes, moving them to feel and perform better. They take great joy in freeing themselves and each other from the spells of the negative images that are the source of bad feelings, poor performance and ill health.
Video 3, “VICTORY!” Swinging To The Positive, shows that eidetic imaging enables a person to go directly to the image that is the root of a problem, and then swing swiftly to the opposite antidote image, which frees him from the problem, and puts him in touch with wellsprings of good energy. Through repeatedly concentrating on the beneficial images they surface – images which show promise not divulged by forbidding psychologies of the unconscious – eidetic imagers become less ill at ease and gain confidence in their ability to see their way clear of many troubles – even severe ones. Rather than avoiding getting to know themselves and others deeply, eidetic imagers enter this lucid level of imagination with a sense of suspense. They look forward to being inspired by liberating images that continually model surprisingly successful new acts.
In Video 4, “CHERISHING,” Lucid Improvisation In Performance, eidetic imagers share deep joys in public with unabashed intimacy. As they light each other up through baring endearing self-images, they see members of their audience lighting up too, welling up with fellow feeling for nature and human nature.
AN EIDETIC EMPATHY IMAGING SESSION IS LAUNCHED – as demonstrated in Videos 2, 3 and 4 – by one imager giving other imagers the picture that is playing in front of his or her mind’s eye, while also describing or dramatizing how each feature of this scene is striking his or her body. Then, in turn, the other imagers see themselves in the presenting imager’s shoes. In telling their empathy images the other imagers take time to recognize exactly how their bodies are moved by each new move in their images.
By staying in touch with and enacting their body responses, eidetic imagers get and give new pictures that make profoundly illuminating common sense. They see their images shedding new light into and prompting new growth in everyone else’s images. Sustained concentration of this nature generates a stream of dramatic illumination that is inherently transformational. It surfaces helpful new moods, insights and moves in everyone opening to this delightful opportunity for needed self and mutual discovery.